·theguardian.com·Oct 7, 2024‘It’s hard to have hope’: will Australia’s music industry ever truly recover?
·theguardian.com·Oct 7, 2024‘People love to feel part of the process’: how the TikTok teaser turbo-charged the song of the summer race
·theguardian.com·Oct 7, 2024‘Everything’s dialled up to 11’: meet Australia’s rising stars of hyperpop
·theguardian.com·Oct 7, 2024Tuning out of Triple J: why Australia’s youth station is losing its young listeners
·theguardian.com·Oct 7, 2024‘It’s dumb content for smart people’: How Long Gone, the podcast everyone wants to appear on
·theguardian.com·Oct 7, 2024MIA on vaccines, vindication and her visions of Jesus: ‘People fear me for some reason’
·theguardian.com·Oct 7, 2024Caroline Polachek: ‘Seeing Fiona Apple and Björk succeed without compromise felt so aspirational’
·theguardian.com·Oct 7, 2024‘Female energy has an erotic superiority’: Spanish pop superstar Rosalía on bomb threats, backlash and breaking tradition
·theguardian.com·Oct 7, 2024‘I deserve respect’: Azealia Banks on redemption, Republicans – and Kanye
Platinum
Jia Tolentino